polymath james leyland kirby must surely have one of the most confounding cvs in the business: he spent years taking the piss out of the music industry with anthems rallying against the (vv)mcps, he notoriously fell out with various well known record labels for reasons you ll just have to google, goaded aphex twin with a series of tributes and channelled his love of everything from falco (rock me amadeus), chris de burgh, frankie goes to hollywood and stockport karaoke nights into a stream of increasingly bizzare 7 s back in the early noughties. but at the same time he was responsible for releasing some of the very earliest material from boards of canada (hell interface: 1997), made a ruck of frankly groundbreaking industrial electronic records, brought new beat to the worlds attention and, in 1999, made his first album as the caretaker, a project that would go on to release some of the most loved ambient/ lynchian albums of recent times.

ltd backstock . ivano tetelepta returns to duty on fof after his well received * true colours* lp with a veritable potpourri of tracks in collaboration with various cohorts. first up ivanos collaboration with steve siwalette twists and turns with a steppas beat whilst melodic licks build the track up to its anthemic break. * give me something so i can dance* w/alex jansen roughs things up with a low-slung dirty groove whist ben buiendijk injects an acidic flavour into his collaboration before ivano & bas amro delve deeper with the sweetly melancholic tones of * manolia*.

the lyon-based french label strikes again for its one year anniversary. in line with its characteristic sinuous way to explore the various side of the underground techno scene, the mysterious clft militia delivers this time a very functional and effective whack, with non other purpose than banging the dancefloors. londonian newcomer fundamental interactions debut ep offers two monster tunes of dark sounding retroesque techno. on the b side, lee holmans storming & percussive remix, as well as veteran legend aubrey saeis massive endarkement, finalize this release immaculately. a must have from the messiahs to the masses

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

its a fact: plector 005 strikes back with a full techno analogue ep. as a starter on the a side, noticed for his ep on m_rec ltd and his featured track on plector lp003, stanislav tolkachev delivers two linear, energetic , greasy techno as he used to do. no loops, no break, just heavy beatz to hit the dancefloor in a dramatic way. a perfect weapon to not miss your target. for the main course, we can find fran hartnett, well known for his it was written in vapour track and the great number of remixes he did on various labels. he stays faithfull to himself with this two trackers side. astonishing breaked techno at its best. ideally to start a big party! as we said, since plector become a reality: just techno, no compromise at all

sneaky music is the new imprint from andy bird, the man behind the infamous love fever parties, and producer ranacat. to kick off the new label they have chosen silk 86 to roll out the honours with an ep that showcases silk 86s evolution from the well received clear waters debut on manuccis mistress. the pleasure venture represents a compelling package of crisp production meets gritty warmth with a splash of that 80s sleaze. the pleasure venture ep leads with *felicity*, a production oozing with warmth from the offset. hypnotic vocal cuts pepper throbbing pads and bass stabs giving way to a meandering melody that weaves in and out. on the flip, *the exchange* fuses classic percussion of the windy city and a zig-zagging pad sample hinting at low slung 7am sleaze. *nightdrive* is when the freaks come out, as silk 86 hits eerie vocal snips to a twilight swansong that will disorientate and delight.

ahead of the release of his debut full length, brazilian producer, club owner, businessman and dj renato ratier releases a first single from it featuring pillow talk and complete with a dubshape remix. as well as being a driving force at both warung and d edge in brazil, ratier has recently shown himself to be an adept producer with a great couple of tracks that were stylistically diverse. here the two originals continue in that good form

a few words by steffen bennemann: when i heard margot for the first time, i instantly fell in love with their synth-driven free- form kraut-techno. strong melodies, insanely well-shaped beats, sometimes driving, sometimes bravely bending the rules. after great releases on james holdens border community, ivan smagghes kill the dj and their own label we were more than happy to welcome them in our holger family. here they can show their more experimental side, far beyond common floor/listening conventions and full of synapse-tickling synth magic. plus a secret pop hit (trentaseitrenta), perfect for closing any exceptional club night.

after the summer-smash-hit *gravity*, which is still on heavy rotation by dj-icons like maya jane coles or erol alkan, this is the second single taken from remutes brandnew album *theme tunes for 10 games never made*, called *something monstrous*
nomen est omen --- a screamin catchy vocoder-electro-banger for bodybuilders, disco dancers and, well, ... uhm, ... little monsters. following the tradition of daft punk, remute remixes himself here for the first time in his career and transforms the tune into an oldschool sawtooth-rave-monster beaming you back a couple of years and gives you the feeling you still dance in the mud of the tresor-loveparade-park ...

well worth the almost lifetime of waiting, luaka bop present world psychedelic classics 5: who is william onyeabor. spread across 3 lps wit download code included, this is the essential collection of one of the most unique and mysterious musicians in recent history.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

in the spring of 2012 yot teamed up with scottish born vocalist soom t (renegade masters). the product of this recording session? the first track on yot 4, the moody epic funk shuffle beat banger *the cure*. rising synths, tough beats and heaps of squelch all pushed up against soom ts unmistakable flow. a sure shot was born.
as well as vocal and instrumental versions of *the cure*, yot 4 features the grinding slow tempo burner *day won* and hypnotic ballad *g.i.m.p*. to record the ep the core four piece signed up a fifth member, multi-instrumentalist markus pyorala. it follows up last years *bitch bender*, which mixmag made album of the month, and drops on harmonia and losonofono.

phorma introduces reminiscent mood: a side-project of a well-known german producer whose identity is kept veiled. the reminiscent mood project creates maurizio inspired and concept driven dub techno tracks with a timeless aura. this is the first of two reminiscent mood eps. vinyl only.

sams ep boots off with *chocolate*, a track that builds and builds using detuned synths, stabs and funky drums to make any dance floor erupt. on the flip *daegon* uses dubbed out drums to incorporate a synth melody line that will blow your socks off and rounds off this well shaped ep

void coms is a label inspired by the work and theories of yves klein. kleins work revolved around a zen influenced concept he came to describe as *le vide* (the void). kleins void is a nirvana-like state that is void of worldly influences, a neutral zone where one is inspired to pay attention to ones own sensibilities, and to reality as opposed to representation. we hope to apply these ideas to the musical and identity approach of the label, letting powerful music speak above persuasive imagery & enticing embellishments.
homologous takes the form of 3 compositions designed specifically for void coms, with fis being heavily instrumental in the development of the ideology behind the label, as well as spearheading its musical direction.voidcoms001 has been mastered by matt colton at alchemy to be released on 12 inch vinyl with a laser etching of original artwork by fis designed exclusively for the release. further transmissions to follow.

after 12 months eduardo de la calle is back with his well know imprint analog solutions.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

the first vinyl on supdub by the frankfurters, pieper & kappetijn. the book of ra ep features two impressive tracks, that come across more warm and almost poppy but are decorated impressively by the mixed duo. well batched and placed vocals make both of these tracks dynamic, striking and emotional. the disc is rounded off with a remix of the track goldify by alfred henrichs, the label owner and supported by the charming voice of viviana alvarez.

killer analouge styled early 90s infected house monster... detroit and chicago influences as well

sample / edit / mash up type house tracks. well known east coast producer taking classics into the future. handstamped whitelabel release.

we are really happy to finally announce the release of the 7th record as the next in the series of full eps. dustins debut record comes as a result of nearly two years work between artist and label to get the perfect tracks for this full release and we feel it has been well worth the wait.
each record comes with an exclusive 24 inch square poster of the artwork for the release, designed by hani abusamra, which forms the second in the series of collectable nixwax posters that now accompany each nixwax ep.
the lead track was first tested out in the boiler room by nixwax boss, rob amboule and received a fantastic reception, with online fans and audience alike lusting after that growling bassline.
full support comes from some of the leading names in deep underground house at the moment, including rossko fuse, casino times and many more, as well as all the nixwax artists and ojsmooths mum. we have every confidence in this record and look forward to seeing it get the reception it deserves.

the title track for schallbox015 is delivered by none other than label boss steve cole himself. with a driving groove, playfully set chords and vocals by her majestys sound (aka alexander friedrich), the original version asks every dancer for the *last dance*. or then, is this just the beginning the cast of remixers, consisting of rené bourgeois & dan caster, as well as the glitz, lines up in perfect sequence and will again set every dance floor on fire!

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

mellys uses striking kicks. sobre and efficient his sounds are physical and brings a natural born good feeling on the dancefloor. the a-side is all about that, a powerfull dancefloor 180 bpm fat confort. his selectas of friends tunes on b-side is exactly on the same scale. format c brings an obsessing hardtek oldschool tune while zside brings a superb dancefloor track as well. honstely this is a total sticking 100% to the peur bleue sound style. digging for more collab! and very awaiting playing this record for real on the dancefloor!

the newest edition to the back to you collective shows not to disappoint. greek born dj/producer dimitris kesses, better know as sek is not only the new kid on the block, but another careful selection from bty in new talent and an exploitation for the freshest sound. previously featuring on labels such as lost my dog and off recordings the latest ep broadcast seems to fit well on back to you.

after being released digitally only and really great support throughout all floors, tengue rec. decided to bring this disco-influenced bass driven house floor tool to all vinyl lovers and djs as well. so decide it yourself, pick it up and try it out!

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.

the 12 track album was written and produced since the turn of 2013 and mixed with erol alkan at the phantasy sound, the labels own studio in london. a difficult trick to master but like carl craigs more songs about food and revolutionary art, plastikmans consumed or more recently the work of four tet, the album works as a cohesive whole rather than a disparate collection of tracks

following four releases in the bangers and ash 12 inch series, styles upon styles inaugurates the label proper with an ep from our friends and community cohorts, archie pelago. from their earliest digital releases on end fence and tectonic, through substantial 12 inches via mister saturday night, well rounded, and their recent self-released transmissions (sly gazabo ep and breezy whey), each body of work from the trio of hirshi, kroba and cosmo d contributes to a growing narrative in their catalogue of improvised, acoustic-electronic dance music. mastered and cut by matt colton at alchemy in london. pressed at mpo in france with artwork from calvin ho and sus sleeve design by tschiegg.

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

for the next release on his mb disco label, martin brodin licences *nka mo dira* - one of the biggest downloads in south african music history, which has also had its music video voted as the best of the year by the star newspaper. the track then gets some fine remix treatment from the boss himself as well as full pupp label boss and disco pin up prins thomas.

filippo blasi foglietti is another third ear find well worth checking. the john nixon memorial ep is trippy, dark, deep and grooving. there are four different grooves here, all of which can disconcert and disorientate. perfect for tripping up and tripping out the dance floor.

northern irishman ejeca makes his second appearance on london based needwant after his highly successful horizon ep. title track together showcases the talented producers style when it comes to combining a new twist on 90s garage with a 4/4 beat. the tracks huge euphoric breakdown cleverly reference the past whilst still keeping the future in mind, a signature sound that ejeca has become so well known for over the past twelve months.

josia played his colourful,excessive sound all over berlin at well-known venues as sisyphos or weekend, but also in numerous german cities and in neighbour countries like poland, luxembourg, lithuania or austria. as producer and remixer josia combines dirty electro bass lines with deep psychedelic soundscapes and effects on a base of minimal techno beats

attention minimal and tech-house lovers: here comes the hit for autumn 2013 on black fox music!
the global underground talent kim pixa(systematic) from czech republic comes with the first single of his forthcoming album in early 2014. after his remix for marc romboys *taiyo* on systematic, now there is a cooperation with the international well known xenia beliayeva (shitkatapult). she fell in love with his track and the result is an emotional, sad and also powerful love song. dark abstract basslines and a punching melody combined with xenias lovesick german vocals is the perfect mixture to set every dancefloor on fire.

supported by rolando, perc, surgeon, answer code request! ritzi lee is a well-known name in the international techno scene gaining support from major players like ben sims and dave clarke amongst others. detect signal has a pounding grove and incescant feedback tone. early plays are driving clubs into a frenzy with its unrelenting searing tome. a ep to smash clubs with!

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

marcmans dici ep released a few months ago had a massive response from djs and dancers as well. here, paragram revisits some of the greatest highlights of that record. the rework treatment is in the care of three amazing artists such as franco cinelli, dorian paic and jorge savoretti.

gogo music proudly comes up with the second release of sir lsg, after we presented you *sax in the city*, which still was released under his former moniker hood natives and became a smash-hit in 2011. this time sir lsg teamed up with renown soul-singer brian temba and kafele who adds his distinctive trumpet lines. remixes are contributed by dj spinna and ben moss to complete a splendiferous release.
this gogo music release has been in the works for quite some time, but it surely was worth the wait and efforts, as we now are able to present a well rounded package of a well written song - exactly our aim at gogo music.

after the recent success of their expansive debut full length on idle hands and while they bask in the glory of their recently well received resident advisor podcast, jacob hodge and matt lambert push on with a new ep on bristols futureboogie. to date outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on bristol based labels, and this new ep sees them continue in that fine form.

but that the cocoon compilation l is all about love, is beyond debate: the love for electronic dance music, for its complexity and its diversity, the love for this global musical language and last not least the enthusiasm for the well-known and the still non-famous protagonists of this tonal romance that faithfully accompanies us through night and day for more than 30 years now.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.